Grateful Dead Hour No. 53
Week of September 18, 1989

Part 1  33:45
China Cat Sunflower-> 
I Know You Rider 
Playing in the Band-> 
Uncle John's Band-> 
Playing in the Band jam  8/19/89 Greek Theatre, U.C. Berkeley

Part 2  19:39
Black-Throated Wind - Steal Your Face
(Grateful Dead Merchandising GDCD4006, originally released 1976)
Interview: Phil Lesh
The Other One  8/19/89

Grateful Dead Hour No. 54
Week of September 25, 1989

Part 1  25:43
Scarlet Begonias 
Me and Bobby McGee 
It Must Have Been the Roses 
Big River 10/16/74 Winterland, San Francisco

Part 2  31:26
Playing in the Band 

Grateful Dead Hour No. 55
Week of October 2, 1989

Part 1  30:40
Doin' That Rag 
Hard to Handle 
...That's It for the Other One - 6/5/69 Carousel Ballroom, SF

Part 2  21:12
/China Cat Sunflower-> 
Sittin' on Top of the World-> 
Dark Star... - 6/5/69
The Wheel - Jerry Garcia, Garcia
(GDCD4003, originally released 1972)
		

Grateful Dead Hour No. 56
Week of October 9, 1989

Part 1  15:22
Estimated Prophet - 5/8/77 Cornell University, Ithaca NY
King Solomon's Marbles - Blues for Allah (GDCD4001, orig rel 1975)

Part 2  37:47
St. Stephen-> 
Not Fade Away-> 
St. Stephen-> 
Morning Dew - 5/8/77 Cornell University, Ithaca NY

Grateful Dead Hour No. 57
Week of October 16, 1989

Part 1  18:28
Iko Iko - 8/18/89 Greek Theatre, Berkeley CA
Where in the Greek Are You?
Looks Like Rain - 8/18/89 Greek Theatre, Berkeley CA

Part 2  36:10
Terrapin-> 
percussion 
jam-> 
Crazy Fingers 
Lovelight 
I Bid You Good Night - 8/18/89 Greek Theatre, Berkeley CA
Post-show interview with Phil Lesh 

Grateful Dead Hour No. 58
Week of October 23, 1989

Part 1  19:36
Rex Radio excerpt: Phil Lesh, Gary Lambert, Jerry Garcia P
  1989 Ralph J. Gleason Memorial Award
Libya Blues (excerpt) Peter Apfelbaum and the Hieroglyphics
  Ensemble with Don Cherry
Attics of My Life - American Beauty (Warner Bros. 1893, 1970)

Part 2  32:50
Disaster message
Scarlet Begonias-> 
Touch of Grey-> 
Fire on the Mountain - 7/13/84 Greek Theatre, Berkeley

Grateful Dead Hour No. 59
Week of November 6, 1989

Part 1  19:52
"Victim or the Crime" part 1 - Phil Lesh, Jerry Garcia and Bob Weir
	interviewed by Bonnie Simmons
Victim or the Crime - Built to Last (Arista ARCD-8575, 1989)
"Victim or the Crime"  part 2 - Lesh, Garcia, Weir
Built to Last - Built to Last
		
Part 2  34:01
Playing in the Band-> 
percussion-> 
jam - 2/5/89 Henry J. Kaiser, Oakland
I Will Take You Home - Built to Last


Bonnie Simmons:  For one reason or another we seem to have gotten off on
"Victim or the Crime" -

Lesh:  Gotten off on it?

Simmons:  Can you tell me your version of how "Victim or the Crime" came
about?

Garcia:  Well, I think the first time Weir showed it to me was when we
played with Joan Baez at an AIDS thing in the city, and he - I listened
in amazement and said, "God, that's got pretty angular changes, doesn't
it?"
  It's fascinating because it defies, almost, any effort to play freely
through it.  You can't do it. You have to know it, it's that simple. It
has changes in it, and they're very strict, and they have lots of real
dissonant moments.  So the angularity of it was fascinating to me, the
tonality was, because it's one of those things where you really have to
stretch to figure out something appropriate to play to add to the tonal
mood of the tune. 
  The text of it - I don't believe I've ever actually listened to all
the words to it.  Ever.  I have the gist of it; by now I probably could
recite it if I really had to, but the text of it is more of the same in
a way: it doesn't have a whole lot of light in it.  It's very dense, and
it's angst-ridden to boot. 

Weir: "Victim or the Crime" I wrote with Gerrit Graham.  The chorus came
to me one night, and I sat on it for a couple weeks, looking at it, and
I was down visiting Gerrit - he lives in LA - and I showed it to him and
he said,  "Hey, listen, can I run off with this for a night?  I'll be
right back with it."  He came back the next day, and he had two verses
and a bridge fleshed out from that chorus, and we did a little bit of
hammering on it - hardly any - and then I put music to it, and that
happened, though the music was really pretty damn complicated, it
happened real fast.  It happened inside of two hours, I think.
  Then we started trying to soften up some of the stuff that we knew we
were going to encounter resistance with, like the J-word.  We tried to
come up with stuff like "Patience runs out on the monkey," or then we
tried to take it all the way that direction - "Patience runs out on the
bunny."  But none of that worked.  Then the whole rest of the song just
wouldn't stand up, because it has an integrity about it that's - you
know, you can't dick with it. 

Garcia:  It seemed to me when we were starting to record it, in order to
save it from an effort to make it more attractive, I thought that what
would work with the song would be to just go with it, to go with the
angularity and the sort of asymmetrical way it's structured, and play to
expose that.  An early possibility that occurred to me was that this
would be an interesting song to do something really strange with.
  And this is where Mickey, of course, comes into the picture, 'cause
he's one of the guys that holds down the strangeness corner, and he's
always a willing accomplice in these ideas.  So I thought the Beam,
which is an instrument that people feel about about the way they feel
about "Victim or the Crime," the tune - I thought, let's take two of the
things that really have a huge potential for really upsetting people -

Simmons:  A polarization tool -

Garcia:  Absolutely! - and let's combine them in a happy marriage.
Something that will be a real horror show.  And it's turned out to be
strangely beautiful.  I really enjoy it, now.


Garcia:  When me and Mickey started working on the ending, I was sitting
there listening and I said, "You know, I may be going crazy, but I'm
starting to like this..."

Simmons:  I am too. (laughs)  Initially I thought it was one of the
oddest things I could ever imagine.

Garcia:  Well, it certainly is strange.  It's one of Weir's stunningly
odd compositions, but it's also very adventurous.  It's uncompromising;
it's what it is, and the challenge of coming up with stuff to play that
sounds intelligent in the context has been incredible, but also
appropriately gnarly. I think we've done a nice job on the record with
it.  It works.  Whatever it is, it works!  I'm real happy with it
because it was one of those things that was like "What are we going to
do with this?"  It's like having a monster brother that you lock in the
attic. It's like a relative that you - "God, I hope nobody comes over
when he's eating"...

Simmons:  I think you put it in a perfect place.

Garcia:  It's something like that... That's one of the things that makes
the Grateful Dead fun.

Phil Lesh:  I didn't particularly care for the song for the attitude of
the song when I first heard it, and I was kind of wishing that Bob had
written something new, frankly, for the album.  But I have to admit it's
grown on me. It's grown on me, and I've found things to play in it,
whereas first it was a just question of going boom-boom-boom-boom.  I'm
beginning to hear the music in it now.  So I don't really dislike the
song.  I don't quite understand why Bob feels he has to sing this song -
but I'll defend to the death his right to sing it.
  And to have us play it, too.
  If he can make it stick.

Bob Weir:  There is a ponderosity about it that a lot of people consider
pompous, and perhaps it is pompous.  There's that part of all of us.
The questions posed in this song are not unique to this boy.  If being
pompous is what it takes to actually express this sort of thing - and
you know, it's something I feel and it's something that I kind of want
to take a peek at.  It's, as far as I can see, human nature, and I don't
think I'm doing anything intensely meaningful here, but I'm at least
trying to get to something that's maybe a little knottier than Sugar
Magnolia.

Garcia:  We've got a handle on it, I think, now, and there's also places
for us to take it.  So I think it may open up into something truly
monstrous.  It may turn into something truly monstrous in the future,
and certainly the recorded version works.

Grateful Dead Hour No. 60
Week of November 13, 1989

Featuring an interview with Tom Constanten, keyboardist with
the Grateful Dead from 1968 to early 1970.

Part 1  21:48
Tom Constanten part 1
Cold Rain and Snow - Tom Constanten, Fresh Tracks in Real Time
Dark Star (excerpt) 4/28/71 Fillmore East
Tom Constanten part 2

Part 2  30:19
Turn On Your Lovelight 12/12/69 Thelma Theatre, Los Angeles CA

Grateful Dead Hour No. 61
Week of November 20, 1989


Part 1  33:36
Funiculi Funicula 
Help on the Way-> 
Slipknot!-> 
Franklin's Tower - 6/9/77 Winterland, San Francisco

Part 2  18:37
How Built to Last Was Made pt. 1
Standing on the Moon - Built to Last (Arista 8575, 1989)
How Built to Last Was Made pt. 2
Blow Away - Built to Last

Grateful Dead Hour No. 62
Week of November 27, 1989

Part 1  25:27
Truckin' 
I Second That Emotion 
Sugar Magnolia - 4/29/71 Fillmore East
Loser - Jerry Garcia, Garcia (GDCD4003, orig. rel. 1972)

Part 2  29:15
Alligator-> 
Goin' Down the Road Feelin' Bad-> 
Cold Rain and Snow - 4/29/71


Grateful Dead Hour #63
Week of December 4, 1989

Grateful Dead with HORNS!

Part 1  34:55
Let Me Sing Your Blues Away 
Prelude;
Weather Report Suite Part 1;
Let It Grow->
Stella Blue - 9/14/73 Civic Center, Providence RI

Part 2  20:34
Eyes of the World - Grateful Dead, Wake of the Flood
Sugar Magnolia
One More Saturday Night - 9/14/73 

Grateful Dead Hour No. 64
Week of December 11, 1989

Part 1  27:20
Jack Straw 
Row Jimmy 
When I Paint My Masterpiece 
DupreeUs Diamond Blues - 11/7/87
  Henry J Kaiser Convention Center, Oakland CA

Part 2  25:46
Interview: John Barlow and Brent Mydland
We Can Run - Built to Last "We want Phil!" 
Box of Rain 
Cassidy; 
Might as Well - 11/7/87

Grateful Dead Hour No. 65
Week of December 18, 1989

Part 1  32:18
Shakedown Street-> 
Uncle John's Band - 12/26/79 Oakland Auditorium
Oh Mommy - Brewer and Shipley, Tarkio Road
  Jerry Garcia, pedal steel guitar
Transverse City - Warren Zevon, Transverse City
  Jerry Garcia, electric guitar
Last Lonely Eagle - New Riders of the Purple Sage
  Jerry Garcia, pedal steel; Mickey Hart, drums
Danger Man - David Bromberg,Wanted Dead or Alive
  Jerry Garcia, electric guitar; Phil Lesh, bass;
  Bill Kreutzmann, drums; Keith Godchaux, piano

Part 2  22:35
You Win Again 
Bottle Let Me Down 
Why Don't You Love Me? 
*Riot in Cell Block #9 
**Goin' Down - Elvis Costello and Friends 4/24/89 Sweetwater, Mill Valley

  *  Commander Cody, lead vocal
  ** Sammy Hagar, lead vocal

The second half of this program is from a mono soundboard feed from the
PA at the Sweetwater in Mill Valley.  It was an anniversary party for
Village Music, and Elvis and friends were the scheduled performers.
The band included James Burton, the legendary lead guitarist who backed
the first Elvis and Ricky Nelson (and was a member of Emmylou
Harris's first Hot Band); Burton's classmate Jerry Scheff on bass;
and Bay Areans Austin De Lone (keyboards) and Scott Mathews (drums).
Other guest musicians included Nick Lowe, Charles Brown, Kim Wilson,
Mitch Woods, Jeff Burton (James's son), Annie Sampson, Commander Cody,
Sammy Hagar, Pete Sears, Jerry Garcia and Bob Weir.

Grateful Dead Hour No. 66
Week of December 25, 1989

Part 1  28:22
Tennessee Jed
Jack Straw
Truckin' - 10/19/71 Minneapolis
Mississippi Halfstep Uptown Toodeloo - Steal Your Face

Part 2  26:37
That's It for the Other One - 10/19/71


Grateful Dead Hour No. 67
Week of January 1, 1990

Part 1  16:52
Bird Song->
The Music Never Stopped - 12/31/87 Oakland Coliseum Arena

Part 2  33:59
The Other One->
Wharf Rat->
Throwing Stones->
Not Fade Away - 12/31/87


Grateful Dead Hour No. 68
Week of January 8, 1990

Part 1  26:47
Terrapin->
drums - 12/27/87 Oakland Coliseum Arena
Interview: Jerry Garcia on Built to Last cover art
Built to Last - Built to Last (Arista ARCD-8675, 1989)

Part 2  24:57
Day Job - 12/26/82 Oakland Auditorium
Interview: Jerry Garcia on Life in general
Yellow Moon - Robert Hunter, Tiger Rose
   (Rykodisc RCD10115, 1989.  Orig. rel. on Round Records in 1974)
Loser - Grateful Dead 8/19/89 Greek Theatre
They Love Each Other - 2/22/74 Winterland, San Francisco


***

Bonnie Simmons: What about the cover art for the record?  Who thought it up?

Garcia:  I thought it up; it's the first time I've ever had any record cover
thoughts, ever...

Bonnie Simmons:  Did you sit up in bed and go "Oh my God, I'm having
record cover thoughts!  What does this mean?" 

Garcia:  Well, sorta like that. I didn't really think it was a record
cover thought, I thought it was more of a joke, really.  It's the idea
of "built to last" - kind of pretentious.  I wanted to kind of let some
of the air out of that idea.  So the house of cards, that's the joke.

The setup is pretty much exactly the way I imagined it; I just talked
it down to the photographer, Ken Friedman, who's a very nice guy and
very patient. He set up all of the lighting and so forth, and as it
developed I gave him more input. 

I think looking at it now I would have done it slightly differently,
but next time I'll know better. I really wanted the house to loom a
little larger and the band to be a little smaller, but because he's a
portrait photographer, I had to fight with him on that. He wanted a
portrait of the band, I didn't want a portrait of the band. I wanted
the band to be insubstantial, shadowy figures in the background, and I
wanted the house of cards to be the star of the picture.

Annabelle [Garcia, Jerry's daughter] and her friends made the house of
cards, did a great job. And Kelley did the lettering, and basically it
just kind of  fell together at the last minute like it usually does.
I'm not totally happy with it, but it came out pretty good.

***

Garcia:  Well, the world out there, it looks as lame as it ever has,
and my own personal world is looking pretty good.

Bonnie Simmons:  ...scuba diving?

Garcia:  Yeah, I like to do that.  It's fun for me.  The music things
that I've been doing have been interesting, and ... I wish I had more
time to do everything.  That would make me real happy, if somehow I
could extend - so I could dive in the morning, and record in the
afternoon, and go out and play at night.  Something like that would be
perfect.  And I kind of didn't have anything to do in the meantime and
didn't have to sleep. And then I could work on my paintings and my
graphic art work stuff, and also write that book I've been thinking
about, too. Not to mention taking on things like movie soundtracks
which I'd like to do, and I'd also like to direct a movie, too.  I've
got a screenplay - I mean, where you want to go?  

My life is mostly stuff that I wish I could do and I'm not going to get
around to or I'm not going to get time to or I'm not going to get an
opportunity to, and that's mostly what it's like, really. And the rest
of it is fight to get stuff done, and then on to the next thing, is
kind of what it kind of boils down to. And I love it that way, I hope
it never changes.  But I also hope that I get time, eventually, to
concentrate the way I want to on each project. The way I like to work
is, I like to exclude everything else when I'm doing something.  I
don't like to be really working on two things at once. I like to do
something, and I do that, and I don't deal with anything else, just
that. And I like to do that on every level of my life <giggle>. It
works.

Bonnie Simmons:  So does this mean that you have excluded other
projects while you've been working on the record?

Garcia:  I'm doing that constantly. You have to exclude stuff because
you only have so many life-hours. That's it. I say yes to a lot of
things and then don't get a chance to get around to them. There's a lot
of things - I'd like to produce more records. I'd like to produce
records for other people, that'd be fun for me.  There's lots of things
that I can do and that I'm good at, relatively, good enough to get
myself off, you know what I mean?  And things have been working out
pretty well.  I certainly don't have any complaints.

Grateful Dead Hour No. 69
Week of January 15, 1990

Part 1  18:09
Stickup;
Samson & Delilah - 5/19/77 Fox Theatre, Atlanta
(I Want to) Fly Away - Bobby and the Midnites (Arista ARCD-8558, 1981)
Satisfaction - 2/17/82 Warfield Theatre, San Francisco

Part 2  36:07
Dark Star (with "Heaven" jam)->
Stella Blue - 10/30/73 Kiel Auditorium, St. Louis MO


Grateful Dead Hour No. 70
Week of January 22, 1990

Part 1  26:27
Sugar Magnolia->
Touch of Grey->
Man Smart, Woman Smarter - 12/31/89 Oakland Coliseum Arena
Big Boss Man - 12/31/89 Oakland Coliseum Arena
  with Bonnie Raitt, slide guitar
 
Part 2  30:11
Interview: Mickey Hart, Tom Vennum, and Joe Gastwirt
  talk about the Smithsonian/Folkways Archive project
  Featuring Latvian Choir, Voices in the Forest, and Midnight
  Special by Leadbelly
Shakedown Street - 12/31/89 Oakland Coliseum Arena


Grateful Dead Hour No. 71
Week of January 29, 1990

Part 1  31:50
Wharf Rat->
Mississippi Halfstep->
Playing in the Band->
space - 12/2/73 Boston Music Hall

Part 2  23:14
feedback->
"Heaven" jam->
He's Gone - 12/2/73 Boston Music Hall

Grateful Dead Hour No. 72
Week of February 5, 1990

		Part 1  35:07
	  :40	Opening
	 9:42	Music: Grateful Dead 2/18/71 Capitol Theatre, Portchester NY
		Dark Star->
		Me and My Uncle
	24:28	Music: Grateful Dead 12/31/89 Oakland Coliseum Arena
		...Hey Jude->
		Goin' Down the Road Feelin' Bad->
		Throwing Stones
		Not Fade Away
	  :17	ID

		Part 2  19:05
	  :24	Introduction
	 4:36	Music: Grateful Dead, Built to Last
		Just a Little Light
	 8:32	Music: Grateful Dead 12/31/89 Oakland Coliseum Arena
		Brokedown Palace->
		Sunshine Daydream
	 5:01	Music: Grateful Dead 12/31/89 Oakland Coliseum Arena
		Midnight Hour
	  :32	Outro


Grateful Dead Hour No. 73
Week of February 12, 1990

		Part 1  16:19
	  :33	Opening
	 3:09	Music: Grateful Dead, History of the Grateful Dead, 
		   Vol. 1 (Bear's Choice) (Warner Bros. 2721, 1973)
		Dark Hollow
	  :19	Talk
	 3:22	Interview: Alan Mande part 1
	 8:40	Music: Grateful Dead 2/14/70 Fillmore East
		Intro by Zacherle
		Casey Jones
		Mama Tried
	  :16	ID

		Part 2  37:12
	  :07	Introduction
	 3:30	Interview: Alan Mande part 2
	32:14	Music: Grateful Dead 2/14/70 Fillmore East
		Not Fade Away->
		Mason's Children->
		Caution (Do Not Stop on Tracks)
	 1:21	Outro


Grateful Dead Hour No. 74
Week of February 19, 1990

		Part 1  28:39
	 1:02	Opening
	16:39	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Sugaree
	 3:29	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Mexicali Blues
	 3:23	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Passenger
	 3:33	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Sunrise
	  :33	ID

		Part 2  25:57
	  :53	Introduction
	 8:32	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		It's All Over Now
	 6:49	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Jackaroe
	 8:56	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Lazy Lightning->
		Supplication
	  :47	Outro
Grateful Dead Hour No. 75
Week of February 26, 1990

		Part 1  24:55
	  :36	Opening
	13:08	Music: Grateful Dead 7/17/88 Greek Theatre, Berkeley CA
		Let It Grow
	11:08	Music: Grateful Dead 7/17/88 Greek Theatre, Berkeley CA
		Box of Rain;
		Victim or the Crime
	  :03	ID by Brent Mydland

		Part 2  30:04
	  :36	Introduction
	20:46	Music: Grateful Dead 7/17/88 Greek Theatre, Berkeley CA
		jam->
		Goin' Down the Road Feelin' Bad->
		All along the Watchtower->
		Believe It or Not
	 7:39	Music: Grateful Dead 7/17/88 Greek Theatre, Berkeley CA
		Blackbird->
		Brokedown Palace
	 1:03	Outro

Grateful Dead Hour No. 76
Week of March 5, 1990

		Part 1  27:53
 	  :24	Opening: What do you think of the Grateful Dead?
	 4:12	Music: Grateful Dead 7/12/87 Giants Stadium, E. Rutherford NJ
		Greatest Story Ever Told
	 4:57	Music: Grateful Dead 7/12/87 Giants Stadium, E. Rutherford NJ
		Tons of Steel
	 7:15	Music: Grateful Dead 7/12/87 Giants Stadium, E. Rutherford NJ
		"Step Back" rap;
		Ramble On Rose
	10:48	Music: Grateful Dead 7/12/87 Giants Stadium, E. Rutherford NJ
		Promised Land->
		Bertha
	  :17	ID


		Part 2  24:38
	  :55	Introduction
	23:16	Music: Grateful Dead 7/12/87 Giants Stadium, E. Rutherford NJ
		Morning Dew;
		Playing in the Band->
		percussion
	  :27	Outro

Grateful Dead Hour No. 77
Week of March 12, 1990

		Part 1  15:22
	1:10	Opening
	5:43	Music: Grateful Dead 10/20/89 Spectrum, Philadelphia
		California Earthquake
	4:30	Music: Grateful Dead, Reckoning (Arista A2CD-8523, 1981)
		Cassidy
	3:26	Music: Danny Carnahan and Robin Petrie, No Regrets
		(DNA 70101, 1990)
		Loser
	:33	ID


		Part 2  36:17
	:37	Introduction
	35:06	Music: Grateful Dead 6/8/77 Winterland, San Francisco
		Eyes of the World->
		drums->
		The Other One
	:34	Outro


For more information on Carnahan & Petrie, write to 

DNA Records
725 Pomona Avenue
Albany CA 94706
(415) 525-4773

Grateful Dead Hour No. 78
Week of March 19, 1990

		Part 1  20:02
	  :55	Opening
	10:37	Music: Obsequious Cheezlog with Bob Weir, guitar and vocal
		If Six Was Nine
	 3:20	Music: Grateful Dead, American Beauty
		Friend of the Devil
	 4:50	Music: Robert Hunter, Tales of the Great Rum Runners
		That Train
	  :20	ID

		Part 2  34:23
	  :15	Introduction
	25:35	Music: Grateful Dead 6/8/77 Winterland, SF
		Not Fade Away->
		Goin' Down the Road Feelin' Bad->
		Johnny B. Goode
	 7:40	Music: Grateful Dead 6/8/77 Winterland, SF
		Brokedown Palace
	  :53	Outro

Grateful Dead Hour No. 79
Week of March 26, 1990

		Part 1  17:14
 	  :25	Opening
	  :51	Phil Lesh: Message to Deadheads
	 3:38	Music: Bobby and the Midnites, Where the Beat Meets the Street
		Ain't That Peculiar
	 5:05	Music: Grateful Dead 12/27/81 Oakland Auditorium
		Passenger
	  :05	ID by Bob Weir
	 6:52	Music: Grateful Dead 12/27/81 Oakland Auditorium
		Samson & Delilah
	  :18	ID

		Part 2  36:23
	  :36	Introduction
	25:18	Music: Grateful Dead 12/27/81 Oakland Auditorium
		To Lay Me Down;
		Playing in the Band
	 9:51	Music: Grateful Dead 12/27/81 Oakland Auditorium
		The Wheel->
		Playing in the Band
	  :38	Outro

Grateful Dead Hour No. 80
Week of April 2, 1990

		Part 1  17:33
	 1:00	Opening
	 6:43	Music: Grateful Dead 5/19/74 Coliseum, Portland OR
		Black Throated Wind
	 4:41	Music: Grateful Dead 5/19/74
		Scarlet Begonias
	 4:47	Music: Grateful Dead 5/19/74
		Loose Lucy
	  :22	ID

		Part 2  35:35
	  :31	Introduction
	 2:31	Music: Johnny Cash, The Sun Years
		(Sun/Rhino R2 70950, 1990.  Originally released 12/57)
		Big River
	31:57	Music: Grateful Dead 10/16/77 LSU Assembly Center, Baton Rouge 
		Scarlet Begonias->
		Fire on the Mountain->
		Scarlet Begonias;
		Estimated Prophet
	  :36	Outro

Grateful Dead Hour
Program no. 81
Week of April 9, 1990


		Part 1  26:28
	 1:00	Opening
	 7:56	Music: Grateful Dead 10/9/82
		Frost Amphitheatre, Palo Alto CA
		SheUs On the Road Again->
		Beat It On Down the Line
	 7:54	Music: Grateful Dead 10/9/82
		West LA Fadeaway
	 9:25	Music: Grateful Dead 10/9/82
		Me and My Uncle->
		Big River
	  :13	ID

		Part 2  29:30
	  :41	Introduction
	14:31	Music: Grateful Dead 10/9/82
		Frost Amphitheatre, Palo Alto CA
		The Music Never Stopped->
		Deal
	13:41	Music: Grateful Dead 10/9/82 
		Throwing Stones->
		Touch of Grey
	  :37	Outro

Grateful Dead Hour
Program no. 82
Week of April 16, 1990

		Part 1  14:03
	  :57	Opening
	 6:18	Music: Grateful Dead 9/29/89
		Shoreline Amphitheatre, Mtn View CA
		Wang Dang Doodle
	 6:32	Music: Grateful Dead, Built to Last
		(Arista ARCD-8575, 1989)
		Picasso Moon
	  :16	ID

		Part 2  40:38
	  :40	Introduction
	 4:02	Music: Grateful Dead 10/10/76
		Oakland Stadium
		Promised Land
	 8:10	Music: Grateful Dead 10/10/76
		Friend of the Devil
	27:08	Music: Grateful Dead 10/10/76
		Dancin' in the Streets->
		Wharf Rat->
		Dancin' in the Streets
	  :38	Outro

		Note: The tape has an edit in the last verse of "Wharf 
		Rat" (at 21:37) due to a reel change on the master.

Grateful Dead Hour
Program no. 83
Week of April 23, 1990


		Part 1  23:30
	  :48	Opening
	16:25	Music: Grateful Dead 9/29/89
		Shoreline Amphitheatre, Mountain View CA
		Feel Like a Stranger->
		Franklin's Tower
	 6:08	Music: Grateful Dead 9/29/89
		We Can Run
	  :09	ID

		Part 2  29:28
	  :30	Introduction
	28:15	Music: Grateful Dead 9/29/89
		Shoreline Amphitheatre, Mountain View CA
		jam->
		I Need a Miracle->
		Death Don't Have No Mercy->
		Sugar Magnolia
	  :43	Outro

The Dead's first performance of "Death Don't Have No Mercy" since 1970!


Grateful Dead Hour No. 84
Week of April 30, 1990

		Part 1  15:21
	  :48	Opening
	 6:32	Music: Grateful Dead 3/19/73 Nassau Coliseum, Uniondale NY
		Loose Lucy
	 2:56	Music: Grateful Dead 3/19/73
		Me and My Uncle
	 4:54	Music: Grateful Dead 3/19/73
		Brown-Eyed Women
	  :11	ID

		Part 2  36:10
	  :27	Introduction
	 2:10	Music: Merle Haggard, More of the Best of Merle Haggard
		(Rhino R2 70917, 1990; originally released 7/68)
		Mama Tried
	32:55	Music: Grateful Dead 12/31/89 Oakland Coliseum Arena
		Victim or the Crime->
		Dark Star->
		percussion
	  :38	Outro

Grateful Dead Hour
Program no. 85
Week of May 7, 1990

		Part 1  25:56
	  :32	Opening
	25:13	Grateful Dead 2/23/74
		Winterland, San Francisco
		He's Gone->
		Truckin'->
		drums
	  :11	ID

		Part 2  28:34
	  :32	Introduction
	 4:28	Grateful Dead 3/23/74
		Cow Palace, San Francisco
		El Paso
	 4:56	Grateful Dead 3/23/74
		Deal
	 3:46	Grateful Dead 3/23/74
		Cassidy
	14:06	Grateful Dead 3/23/74 
		China Cat Sunflower->
		I Know You Rider
	  :46	Outro

Personnel:  Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann, drums; Keith Godchaux, piano; Donna Godchaux, vocals.

Notes:  The second half of this week's program comes from a concert dubbed "The
Sound Test," where the Dead introduced the "Wall of Sound" PA system with which
they toured throughout 1974.  In a column titled "Quiet! The Dead is playing,"
San Francisco Chronicle critic John L. Wasserman described it as "clear without
being loud, loud without being distorted and as clean as a wax job everywhere
in the huge arena.  Every note played by each instrument was detectable and
definable." 

Bassist Lesh hit a note in the instrumental bridge of "China Cat Sunflower"
that rattled the entire Cow Palace.  I felt it all the way across the room,
where my friends and I stood awestruck by the Dead's phenomenally clear and
articulate new sound system.

At the start of "Deal" Bob Weir says, "You can sure tell the ones who won their
tickets over the radio," in response to a fan climbing on stage to shake Jerry
Garcia's hand.

This "Cassidy" was the first live performance of the song and the only one
using the arrangement from Bob Weir's 1972 solo album Ace.  After this show the
song wasn't heard again until the band returned from hiatus in 1976; they
played it in the first set of their first "comeback" show (Portland 6/3/76) and
it's been a mainstay of the live repertoire ever since.

"China Cat Sunflower" and the jam into "I Know You Rider," always a powerful
pairing for the Dead, took on some extra juice in '74 with the addition of a
chord progression some listeners thought reminiscent of "Uncle John's Band."
This performance is a fine example of this wonderful set piece.  - D.G.

Grateful Dead Hour No. 86
Week of May 14, 1990

		Part 1  28:58
	   :53	Opening
	  9:13	Interview: Dan Healy
	  5:55	Grateful Dead 3/19/90 Hartford Civic Center
		Hell in a Bucket
	  5:37	Grateful Dead 3/19/90
		Brown-Eyed Women
	  7:08	Grateful Dead 3/19/90
		Picasso Moon
	   :12	ID

		Part 2  25:02
	  5:03	Grateful Dead, Workingman's Dead
		(Warner Bros. 1869-2, originally released 1970)
		Easy Wind
	 15:44	Grateful Dead 3/19/90 Hartford Civic Center
		It's All Over Now;
		Deal
	  3:04	Interview: Bob Weir
	   :12	Outro


Personnel:  Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Brent Mydland,
keyboards and vocals.

Interviews by afternoon drive personality Lich. Interviews and music courtesy
of WHCN Hartford. Special thanks to Bob Smith.

Grateful Dead Hour
Program no. 87
Week of May 21, 1990

	Part 1  25:21
  :59	Opening
16:37	Grateful Dead 3/19/90 Hartford Civic Center
	Box of Rain;
	Foolish Heart
 7:39	Interview: Mickey Hart
  :06	ID

	Part 2 27:20
  :30	Introduction
24:22	Grateful Dead 3/19/90 Hartford Civic Center
	jam->
	China Doll->
	Gimme Some Lovin'->
	Goin' Down the Road Feelin' Bad->
	Around and Around
 1:50	WHCN broadcast credits
  :38	Outro

Personnel: Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Brent Mydland,
keyboards and vocals.

Interviews and music courtesy of WHCN Hartford. Special thanks to Bob Smith.
Interviews by afternoon drive personality Lich.

Grateful Dead Hour
Program no. 88
Week of May 28, 1990

	Part 1  29:33
 1:02	Opening
16:17	Grateful Dead 2/17/88 Henry J. Kaiser Convention Center, Oakland CA
	Hey Pocky Way;
	Desolation Row
11:55	Grateful Dead 2/14/88 Henry J. Kaiser Convention Center, Oakland CA
	Terrapin
  :19	ID

	Part 2  23:25
  :50	Introduction
22:00	Grateful Dead 2/14/88 Henry J. Kaiser Convention Center, Oakland CA
	Stella Blue->
	Throwing Stones->
	Lovelight
  :35	Outro

Personnel: Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Brent Mydland,
keyboards and vocals.


GRATEFUL DEAD HOUR
Produced by David Gans
Copyright 1990 Truth and Fun, Inc. All rights reserved.
484 Lake Park Ave #102
Oakland CA 94610
(415) 465-9675
Grateful Dead Hour
Program no. 89
Week of June 4, 1990

			Part 1  28:08
	:00	1:16	Opening
	1:16	17:04	Grateful Dead 6/5/69 Fillmore West
			Doin' That Rag->
			He Was a Friend of Mine
	18:20	2:48	Kingfish, Kingfish
			(Grateful Dead GDCD40102; orig. rel. on Round in 1976)
			Supplication
	21:08	3:27	Kingfish, Kingfish
			Asia Minor
	24:35	2:59	Jerry Garcia, Compliments 
			(Grateful Dead GDCD40092; orig. rel. on Round in 1974)
			Russian Lullaby
	27:34	:34	ID
	28:08		END of part 1

			Part 2  24:45
	29:04	:20	Introduction
	29:24	4:18	Grateful Dead 6/6/69 Fillmore West
			The Green, Green Grass of Home
	33:42	2:27	Grateful Dead 6/7/69 Fillmore West
			Dire Wolf
	36:09	4:04	Grateful Dead 6/7/69
			Dupree's Diamond Blues
	40:13	5:23	Grateful Dead 6/7/69
			Mountains of the Moon
	45:36	6:43	Jerry Garcia, Reflections
			(Grateful Dead GDCD40082; orig. rel. on Round in 1976)
			Catfish John
	52:19	1:30	Outro
	53:49		END


Personnel:  Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Pigpen, vocals
and keyboards; Tom Constanten, keyboards.

Ordering information for Grateful Dead Records: call 1-800-CAL-DEAD
Grateful Dead Hour no. 90
Week of June 11, 1990


			Part 1  10:37
	:00	:56	Opening
	:56	4:30	Grateful Dead 12/29/77
			Winterland, San Francisco
			Johnny B. Goode
	5:26	4:57	Jerry Garcia, Reflections
			(Grateful Dead GDCD40082, originally released 1976)
			Mission in the Rain
	10:23	:14	ID


			Part 2  40:00
	11:42	:37	Introduction
	12:19	38:43	Grateful Dead 12/29/77
			Winterland, San Francisco
			China Cat Sunflower->
			I Know You Rider->
			China Doll->
			percussion->
			Not Fade Away->
			Playing in the Band
	51:02	:40	Outro
	51:42		END


Personnel:  Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Keith Godchaux,
piano; Donna Godchaux, vocals.
Grateful Dead Hour no. 91
Week of June 18, 1990

		Part 1  29:06
  :00	  :39	Opening
  :39	 8:09	Grateful Dead 12/6/89 Oakland Coliseum Arena
		Victim or the Crime
 8:48	 1:52	Interview: Pete Sears part 1
10:40	 3:12	Pete Sears, Watchfire (Redwood RRCD 8806, 1988)
		Nothing Personal
13:52	 1:52	Interview: Pete Sears part 2
15:44	 3:13	Robert Hunter, Tiger Rose
		(Rykodisc RCD 10115; originally released on Round Records 1974)
		Wild Bill
18:57	 1:16	Interview: Pete Sears part 3
20:13	 6:32	Pete Sears, Watchfire
		Let the Dove Fly Free
26:45	 2:18	Interview: Pete Sears part 4
29:03	  :03	ID

		Part 2  25:31
30:13	  :53	Introduction
31:06	  :28	Interview: Pete Sears part 5
31:34	23:09	Grateful Dead 10/2/88 Shoreline Amphitheater, Mountain View CA
		jam->
		Estimated Prophet->
		Eyes of the World
54:43	 1:01	Outro

Grateful Dead Hour no. 92
Week of June 25, 1990

		Part 1  26:12
  :00	  :37	Opening
  :37	12:20	Grateful Dead 6/10/90 Cal Expo, Sacramento CA
		Bertha
		Jack Straw
12:57	  :53	Grateful Dead 6/10/90
		Announcements (Phil Lesh is NOT leaving the band!)
13:50	 3:28	Grateful Dead 6/10/90
		Dire Wolf
17:18	 3:24	Interview: Phil Lesh
20:42	 5:06	Grateful Dead 6/10/90
		Box of Rain
25:48	  :24	ID

		Part 2  31:54
27:12	  :37	Introduction
27:49	30:40	Grateful Dead 9/17/82
		Cumberland County Civic Center, Portland ME
		The Other One->
		Goin' Down the Road Feelin' Bad->
		Morning Dew->
		Sugar Magnolia
58:29	  :32	Outro

Personnel:  Jerry Garcia and Bob Weir, guitar and vocals; Phil Lesh, bass and
vocals; Bill Kreutzmann and Mickey Hart, drums and percussion; Brent Mydland,
keyboards and vocals.
Grateful Dead Hour no. 93
Week of July 2, 1990

			Part 1  9:24
	  :00	  :59	Opening
	  :59	 5:00	Grateful Dead 9/17/82
			Cumberland County Civic Center, Portland, Maine
			US Blues
	 5:59	 3:01	Bob Weir, Ace
			(GDCD 4004, originally released 1972)
			Walk in the Sunshine
	 9:00	  :24	ID

			Part 2  44:55
	10:28	  :42	Introduction
	11:10	43:44	Grateful Dead 6/8/90 Cal Expo, Sacramento
			Uncle John's Band->
			China Cat Sunflower->
			I Know You Rider
			Estimated Prophet->
			Foolish Heart
	54:54	  :29	Outro
	55:23

Grateful Dead Hour no. 94
Week of July 9, 1990


			Part 1  26:41
	  :00	  :37	Opening
	  :37	15:05	Grateful Dead 2/27/70 Family Dog, San Francisco
			Dancin' in the Streets
	15:42	10:48	Interview: Alan Trist
	26:30	  :11	ID

			Part 2  26:56
	27:46	  :32	Introduction
	28:18	 2:24	Simon and Garfunkel, Wednesday Morning, 3 AM
			Columbia CK 9049, 1964
			Peggy-O
	30:42	 1:27	Interview: Alan Trist
	32:09	 3:12	Grateful Dead, Workingman's Dead
			Warner Bros. 1869-2, 1970
			Dire Wolf
	35:21	 2:12	Interview: Alan Trist
	37:33	 4:26	Grateful Dead 12/28/88 Oakland Coliseum Arena
			Jackaroe
	41:59	 3:57	Interview: Alan Trist
	45:56	 8:01	Grateful Dead 6/9/90 Cal Expo, Sacramento
			Feel like a Stranger
	53:57	  :45	Outro


	(KPFA listeners will hear the 12/29/77 jam 
	that was pre-empted by the Trist interview)
Grateful Dead Hour no. 95
Week of July 16, 1990


			Part 1  27:23
	  :00	  :40	Opening
	  :40	10:20	Grateful Dead 3/3/87 w/ Dirty Dozen Brass Band
			Henry J. Kaiser Convention Center, Oakland CA
			Iko Iko
	11:00	 4:52	Dirty Dozen Brass Band, Voodoo (Columbia FC 45042, 1989)
			It's All Over Now
	15:52	 6:53	Grateful Dead 3/3/87
			Henry J. Kaiser Convention Center, Oakland CA
			Saint of Circumstance
	22:45	 4:02	Grateful Dead, In the Dark (Arista ARCD 8452, 1987)
			When Push Comes to Shove
	26:47	  :36	ID
	27:23

			Part 2  27:11
	28:28	  :22	Introduction
	28:50	12:10	Grateful Dead 3/3/87
			Henry J. Kaiser Convention Center, Oakland CA
			Terrapin
	41:00	14:10	Grateful Dead 3/3/87
			Throwing Stones->
			Touch of Grey
	55:10	  :29	Outro
	55:39

Grateful Dead Hour no. 96
Week of July 23, 1990

			Part 1  28:35
	  :00	  :40	Opening
	  :40	27:38	Grateful Dead 4/30/88 Frost Amphitheatre, Stanford CA
			Shakedown Street
			Man Smart, Woman Smarter
			Ship of Fools
	28:18	  :17	ID
	28:35

			Part 2  23:37
	29:46	  :53	Introduction
	30:39	 3:21	Jerry Garcia Acoustic Band, Almost Acoustic
			GDCD 4005, 1988
			Swing Low, Sweet Chariot
	34:00	 3:49	Bob Weir, Heaven Help the Fool
			Arista ARCD 8165, orig. released 1978
			Salt Lake City
	37:49	  :06	"The missing tape?"
	37:55	14:51	Grateful Dead 4/30/88 Frost Amphitheatre
			China Cat Sunflower->
			I Know You Rider->
			One More Saturday Night
	52:46	  :37	Outro

Grateful Dead Hour no. 97
Week of July 30, 1990

			Part 1  30:14
	  :00	  :36	Opening
	  :36	 4:39	Interview: Merl Saunders
	 5:15	13:22	Garcia-Saunders 10/31/74
			Memorial Gym, University of San Francisco
			He Ain't Give You None
	18:37	 5:58	Interview: Merl Saunders
	24:35	 5:17	Merl Saunders, Blues from the Rainforest
			Sumertone S2CD-01, 1990
			Blues from the Rainforest
	29:52	  :22	ID

			Part 2  21:34
	31:15	  :24	Introduction
	31:39	 3:21	Interview: Merl Saunders
	35:00	 4:44	Merl Saunders, Blues from the Rainforest
			Sunrise over Haleakala
	39:44	 5:05	Interview: Merl Saunders
	44:49	 7:14	Merl Saunders (clavinet); Jerry Garcia (guitar, 
			vocal); Vassar Clements (fiddle); David Grisman 
			(mandolin); John Kahn (bass); Bill Kreutzmann 
			(drums) - studio jam circa 1972
			Mystery Train
	52:03	  :46	Outro

Grateful Dead Hour no. 98
Week of August 6, 1990

			Part 1  14:00
	  :00	  :55	Opening
	  :55	 3:00	Devo, Smooth Noodle Maps
			Enigma 7-73526-2, 1990
			Morning Dew
	 3:55	 6:38	Grateful Dead from the Mars Hotel
			GDCD 4007, originally released 1974 
			Unbroken Chain
	10:33	 3:03	Grateful Dead, American Beauty
			Warner Bros. 1893, 1970
			Till the Morning Comes
	13:36	  :24	ID

			Part 2  39:26
	15:06	  :24	Introduction
	15:30	38:28	Grateful Dead 5/23/69 Big Rock Pow Wow, Miami FL
			Morning Dew
			Me and My Uncle
			Dark Star->
			St. Stephen
	53:58	  :34	Outro

Grateful Dead Hour no. 99
Week of August 13, 1990


	Part 1  27:00
	Opening
	Grateful Dead 10/3/87 Shoreline Amphitheatre, Mountain View CA
	Stella Blue
	Grateful Dead 6/8/90 Cal Expo, Sacramento
	Easy to Love You
	Interview: John Barlow
	Grateful Dead 6/26/88 Civic Arena, Pittsburgh PA
	Gentlemen, Start Your Engines
	ID

	Part 2  28:13
	Introduction
	Interview: Brent Mydland/Jerry Garcia (Deadhead Hour 4/8/85)
	Grateful Dead 4/22/79 Spartan Stadium, San Jose
	Jack Straw
	Interview: Dan Healy
	Phone calls from listeners
	Silver, Silver (Arista 4076, 1976)
	Musician (It's Not an Easy Life)
	Phone calls
	Grateful Dead 3/18/90 Hartford Civic Center
	Just a Little Light
	Outro