```   . . . . . . . . . . . . . . . . . . . .
.                                       .
.  so early                               .
.  for the whitest noise                   .
.  direct within the torso                  .
.  raining geographic prophecy -#----\ /     .
.  of deafness glazed together        |       .
.                                    |        .
.                                   |         .
.                                  #          .
.                                 |           .
.                        pronounce the way    .
.                       the road is sealed    .
.                      and touch it          .
.                     like a casket object  .
.                    vacantly aside       .
.                                       .
. . . . . . . . . + . . . . . . . . . .
|
#
|
|
+-+
| |
|
|
#
|
. . . . . . . . . . . . . + . . . . . . . . . . .
.                                                 .
.  . . . . . . . . . . . . . . . . . . . . . . . .  .
.  .                                               .  .
.  .  . . . . . . . . . . . . . . . . . . . . . . .  .  .
.  .  .                                             .  .  .
.  .  .  sustain the lake                             .  .  .
.  .  .  by falling                                    .  .  .
.  .  .  on the billionth part                          .  .  .
.  .  .  of trying to dissolve                           .  .  .
.  .  .  before the turning speed of doubt                .  .  .
.  .  .  resolves the drastic                              .  .  .
.  .  .  empty wonder hole                                  .  .  .
.  .  .          |                                           .  .  .
.  .  .          #                                            .  .  .
.  .  .          +-----------+                                 .  .  .
.  .  .          |           |    picture being dunes together  .  .  .
.  .  .          |           |    fading into unity             .   .  .
.  .  .          |           +-#- as atoms of the blown         .    .  .
.  .  .          |           |    that know                     .     .  .
.  .  .          |           |    the wave is never finished   .       .  .
.  .  .          +-----------+                                .         .  .
.  .  .          #                                           .           .  .
.  .  .          |                                          .            .  .
.  .  .    prepared to be                                  .             .  .
.  .  .    the stonework maker                            .              .  .
.  .  .    measuring a chair                             .               .  .
.  .  .    for simply dreaming                          .                .  .
.  .  .    how the hawk                                .                 .  .
.  .  .    can see the power circle                   .                  .  .
.  .   .   tighten to a weightless                   .                   .  .
.  .    .  shining verse point                      .                    .  .
.  .     .                                         .                     .  .
.  .      . . . . + . . . . . . . . . . . . . . . .                      .  .
.  .              |                                                      .  .
.  .              #                                                      .  .
.  .              |                        theory how a systematic       .  .
.  .              |                        low appearance                .  .
.  .              +---------\ /---------#- is working as a decoy         .  .
.  .                         |             to protect the fragile sound  .  .
.  .                         |             that keeps the flowers shut   .  .
.  .                         |             whenever giant strategies     .  .
.  .                         |             compete to form the fantasy   .  .
.  .                         |             of being on the solving side  .  .
.  .                         |                                           .  .
.  .                         |                                           .  .
.  .                         #                                           .  .
.  .                         |                                           .  .
.  .           . . . . . . . + . . . . . . .                             .  .
.  .          .                             .                            .  .
.  .         .  allow the ear                .                           .  .
.  .         .  a fraction of the logic       .                          .  .
.  .         .  to sing the tale convincingly  .                         .  .
.  .         .  of no one left                  .                        .  .
.  .         .  to spread the gentle bones       .                       .  .
.  .         .  before the voiding ground         .                     .   .
.  .         .  as if it were continuing           .                   .    .
.  .         .             |                       .                  .     .
.  .         .             #                       .                 .      .
.  .         .             |                       .                .       .
.  .         .             |                       .               .        .
.  .         .             +-+                     .              .         .
.  .         .             | |                     .             .          .
.  .         .               |                     .            .           .
.  .         .               |                     .           .            .
.   .        .               #                     .          .             .
.    .       .               |                     .         .              .
.     .      .     thriving as a specimen          .        .               .
.      .     .     of being dislocated             .       +                .
.       .    .     from the spilled                .      .|                .
.        .   .     voice trek                      .     . #                .
.         .  .     by a predatory sleep            .    .  |                .
.          .  .    which shuns the willing damage  .   .   |                .
.           .  .   of an interval of abject        .  .    |                .
.            .  .  focus on the glass             .  .     |                .
.             .  .                               .  .      |                .
.              .  . . . . . . . . . . . . . . . .  .       |                .
.               .                                 .        |                .
.                . . . . . . . . . . . . . . . . .         |                .
.                                                          |                .
.                                                          |                .
.                                                          /                .
.                                    +---------------------                 .
.                                    |                     \                .
.                                    |                                      .
.                                    |                                      .
.                                    |                                      .
.  shape the person slowly           |                                      .
.  to endure the hopeless            #       the painted body sleepwalks    .
.  flapping sound                    |       to a climbable volcano         .
.  that penetrates the outpost -#----+----#- near enough to something less  .
.  with orders to consider                   than notches                  .
.  the procession                            in the found emotion         .
.  to the catching place                     cracking in the heat        .
.  is over                                                              .
.                                                                     .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
```

Jim Rosenberg's home page o Poetries o Diagram Poems o Diagrams Series 4