On Friday morning, while Griff was working with the Stanford team, Caydance went to the University Art Museum, where she was confronted with Giulio Paolini's Interval: The Wrestlers. Paolini's installation -- comprised of two large plaster casts placed across the gallery from each other -- was created by separating the top and the bottom of a Roman two wrestlers sculpture, unearthed in a vineyard in the Sixteenth century. Now, on Saturday morning, sitting in a Berkeley deli, Caydance mused that it was not Paolini's museum-situated "interval", that primarily interested her. It was the relevance of the perhaps Big Game-inspired contrast of this masculine sculptural work with the fragile artist book aesthetic that usually infused the residues of research in Paolini's recreations of art history: empty music stands, floor scattered photographs and manuscript in Scene di conversazione; fragments enclosed in plexiglass in L'idolo.