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Brian Hayden with Marcus Hayden Duet 65 Playing Stagi Hayden Duet 46 in "free air" style. Jax plays a Stagi 46-button Hayden system Duet Concertina.
Musical inventor Brian Hayden
playing the prototype
Marcus Music Hayden Duet 65
at the Kilve weekend 22 March 2003
(image courtesy of Marcus Music )
Playing a Stagi Hayden Duet 46 Concertina in "airborne" or "free air" style.
The precise expansion shown I have come to feel is a bit extreme for the bellows. Nowadays I draw the bellows more moderately.
Jax
plays a Stagi 46-button Hayden system Duet Concertina

What is a Concertina?

A Concertina is a free-reed instrument  with valved reeds and buttons controlling the valves mounted on the two sides of the bellows. The player expands and contracts the bellows to supply air to the reeds whose valves are open due to the player's fingering the buttons. The buttons are mounted so that they face outwards from the sides and are pressed towards the bellows.

How is a Concertina different from an Accordion?

Concertina differs from Accordion most simply in the orientation of the buttons.

What is the Duet Concertina?

Duet is a concertina fingering system. A fingering system is a choice of notes and button positions (and internally, the reeds associated with that choice) available to the player on the instrument built according to the given finger system.

Concertinas are generally in one of three fingering systems:

As you can see, one of these systems, Duet, is itself at least four contending fingering systems.
Note: there exist other concertina types, notably the Chemnitzer and Bandonion/Bandoneon. For a fuller (if not entirely complete) treatment of the types of concertina, please see the excellent Squeezebox 101 by Chemnitzer enthusiast extraordinaire Ted Kloba.
Here is a chart of the basic differences between the major categories of concertina fingering systems:

Major Concertina Fingering Systems

Fingering System Tonality Sonorisation Balance Usual Buttons (Variant Buttons) Approximate Range of Most Common Variant
Anglo-Irish Diatonic bisonoric (different notes press/draw) bass left, treble right 30 (20, 40, 48 ...) low C to third treble C
English Chromatic unisonoric (same note press/draw) scale steps alternate sides (C left, D right, E left ... etc.) 48 (30, 40, 56, 60 ...) low G to third treble C
Duet Chromatic unisonoric (same note press/draw) bass left, treble right 46 (56, 61, 67 ...) varies by sub-system

That which characterizes and defines the Duet system is that all its variants are:

What is Hayden Duet?

 Hayden Duet is an attempt to create a rational, modern fingering system for Duet. Previous Duet systems deriving from the late nineteenth and early twentieth century are somewhat difficult to learn and not entirely effective for playing modern music.

The Hayden system was developed (and patented) by Brian Hayden. Brian Hayden was interviewed some years ago by Concertina.net and also interviewed in 2003 by the author of the present web page . The Concertina.net article has some great fingering system charts from various Duet systems, including the 46-button Hayden and 67-button Hayden. There are also PDF's of several interesting Hayden Duet articles here on the Maccann Duet Page.

As a longtime accordion player, I was attracted the Hayden as the concertina fingering system most suited for modern music and probably the easiest to learn for an accordion player. I have since learned English and Anglo fingering also, which led me to the following observations:

  1. While the English system is ideal for melody, many chord changes are practically impossible to finger.
  2. Anglo is the fastest fingering system within its tonal limitations but is not at all suited to richly chromatic music.
  3. As a musician who performs a wide range of styles, from classical through folk and ethnic to show tunes, pop and jazz, I find myself committed to Hayden system.
Here are some links to images of Hayden system Duets by various makers, from which you will discover that even with this modern system there is a great deal of variety in actual construction, due, in part, to the varying degrees of the builders' ingenuity exerted in squeezing a large number of reeds into a concertina and in part due to the natural evolution of this relatively new (about 30 years old) but extraordinarily powerful fingering system. The range of the 46-button Hayden duet is low C to D above second high C. The instrument is fully chromatic between low E and its highest note. The sides overlap on middle C to B above middle C except the left is missing the Bb in that octave (it's present on the right, though). There are 21 keys on the left and 25 on the right; additionally, the Hayden has a bellows release or "air button" (not shown) on the right hand towards the thumb rest from the keys. In the chart below , notes ascend to the right and upwards. Middle C on both sides in the diagram below is noted as <C>.

46-key Hayden System layout

Left hand Right hand



















hi




F
G
A
B



Bb
<C>
D
E
F#
G#

F
G
A
B
C#
D#


C
D
E
F#
G#


lo







Thumb




hi






Bb
C
D







F
G
A
B
C#

Bb
C
D
E
F#
G#

F
G
A
B
C#
D#


<C>
D
E
F#
G#
Thumb
lo








An important part of the Hayden system is the spacing and staggering of the columns of buttons. That spacing and staggering is shown in the chart above, but not to scale.

What about larger Hayden Duets?

When you play the 46-button Hayden, you get a light but very rich tonal arrangment. You can play complex chords on both sides. At first, I wondered if it could be asymmetrically extended to add: Note that rows advance left to right in whole steps. If you start at the bottom of the left diagram, the first F# is one half-step up from the F on the next row above it. The notes in a row are ascending left right on both sides.

You might wish for some wraparound on each of the basic row patterns, i.e:

Gb Ab Bb C D E F# G#
Db Eb F G A B C# D#
so that it would be easier to play the chords C#/Db major, F#/Gb major, G#/Ab major and D#/Eb major. However, the 46-button Hayden Duet is already a good-sized instrument.

Bastari 67-Key Hayden

The 67-button Hayden Duet fingering system adds those wraparound buttons and stretches the range downwards another fourth. There are 33 buttons on the left and 34 buttons on the right.This increase in the size and weight of the instrument must be weighed and balanced against the value of the added buttons. In the chart below , just as in the previous chart, the right-hand side has a bellows release which is not shown in the chart, and middle C on both sides in the diagram below is noted as <C> . Again, spacing and staggering of the buttons is shown but is not to scale.

67-key Hayden layout

Left hand Right hand










hi





Eb
F
G
A
B




Ab
Bb
<C>
D
E
F#
G#
Db
Eb
F
G
A
B
C#
D#

Ab
Bb
C
D
E
F#
G#


F#
F
G
A
B
C#





lo








Thumb









hi





Ab
Bb
C
D
E




Db
Eb
F
G
A
B
C#
D#

Ab
Bb
C
D
E
F#
G#
Db
Eb
F
G
A
B
C#
D#



Bb
<C>
D
E
F#
G#
Thumb

lo










Homewood Music 52-key Hayden

Bob Tedrow of Homewood Music has designed and built a 52-key Hayden Duet corresponding to my suggested 55-key system! In the images below provided by Bob (Thanks, Bob!) you can see that:
Bob informs us that these instrument are custom built by order and can include any of the options available on Homewood's other concertinas as shown at http://hmi.homewood.net.
Homewood Music Hayden 52 Images
Left hand
Right hand
Homewood Hayden 52 left-hand side
Homewood Hayden 52 right-hand side
Brief review of Homewood Hayden Duet
Recently (2004-11-12), the shall-remain-anonymous concertina fancier who commissioned this instrument and aided in its specification and design visited me here here in Colorado and allowed me to play this fabulous instrument. Unfortunately, both of us forgot our digital cameras so I have no pictures of myself falling in love with the Homewood Hayden Duet!

This attractive instrument is easy to play, light, barely heavier than the Stagi, has plenty of volume and a full, balanced sound which the anonymous fancier attributes to its Swiss reeds (in preference to Italian reeds). The thumb rest is designed so that Homewood can provide it in a range of orientations depending on player preference. The bellows is excellent, supple yet firm.

The Homewood Hayden Duet is a masterpiece, a real winner.
Update

I recently visited Homewood Music and played this instrument again (jamming with Bob Tedrow on guitar!), which was in for some rework. I was more impressed than ever with the instrument.

Marcus 65-key Hayden

In early 2003 Marcus Music arrives with a new 65-key Hayden design ... Brian Hayden is pictured above playing the prototype.

Here is the layout, provide courtesy of Marcus Music :

65-key Marcus Hayden layout

Click on either image to see each of the two layout charts at full size.
Marcus Hayden 65 LHS Marcus Hayden 65 RHS
Marcus Hayden 65 left-hand side layout
Click on the image to see the layout chart at full size.
Marcus Hayden 65 right-hand side layout
Click on the image to see the layout chart at full size.

Button Box 55-key Hayden

The 55-button Hayden Duet fingering system being developed by The Button Box adds wraparound buttons and stretches the range downwards another fourth. There are 26 buttons on the left and 29 buttons on the right. This is a tentative design and has not yet been finalized. In the chart below , the right-hand side has a bellows release which is not shown in the chart, and middle C on both sides in the diagram below is noted as <C>. Again, spacing and staggering of the buttons is shown but is not to scale.

My current feeling about the design of any prospective 55-button Hayden is that wrapound buttons like the extra middle-Eb on the left hand in the chart below , and the extra high-Eb on the right side are less useful than the missing 2nd-high-D# on the right hand, and the missing middle-C# and middle-D# on the right hand, ibid . I have instead proposed an alternative interesting 55-key Hayden Duet Layout which may or may not be practical to construct someday.

Thanks to Richard Morse of The Button Box for permission to post this chart.

55-key Button Box Tentative Layout

Left hand
Right hand
eb

f

g

a

b





Bb

<c>

d

e

f#

g#

Eb

F

G

A

B

C#

D#

bb

C

D

E

F#

G#








b


c#



bb

C

D

E





eb

f

g

a

b

C#



Bb

c

d

e

f#

g#

Eb

F

G

A

B

c#

d#

bb

<C>

D

E

F#

G#

Button Box Hayden Update 2004-01-31
Here is Richard Morse's latest idea(s) for two competing prospective layouts (minimal-small and optimal-big) for the Button Box Hayden offering:

2004-01-31 Morse idea for prospective Hayden layouts
Used by permission of Richard Morse, thank you!

Haydenovskaya 64-key Hayden

Samantha Boorer tells me about the Haydenovskaya , a Russian Hayden by a master Bayan maker:

"The range is from F, G, and A then it gets chromatic but there is no top Eb"', and is divided between left and right like this:
From my own observation of photographs of the Haydenovskaya, this is how its 64 buttons are apparently arranged. In the chart below , the bellows release (not shown) is again located on the right towards the thumb rest from the keys. In the following diagram, notes ascend to the right and upwards with middle C on both sides being notated <C> . Again, spacing and staggering of the buttons is shown but is not to scale.

64-key Haydenovskaya layout

Left hand Right hand























hi




Eb
F
G
A
B



Ab
Bb
<C>
D
E
F#
G#

Eb
F
G
A
B
C#
D#


Bb
C
D
E
F#
G#



F
G
A
B
C#




lo








Thumb








hi






Bb
C
D
E





Eb
F
G
A
B
C#

Ab
Bb
C
D
E
F#
G#

Eb
F
G
A
B
C#
D#


Bb
<C>
D
E
F#
G#





G
A
B
C#

Thumb



lo







Geuns Hayden/Wicki Bandonion

Harry Geuns, Belgian concertina/bandoneon maker, has provided the following information about a proposed Hayden/Wicki layout  for a bandonion he is thinking of building, This instrument is laid out in a version of the Hayden system we have been describing here. Visit the "Harry Geuns Free Reed Maker" website for more information about this and his other fine bandonions and concertinas. There are also pictures of  some unusual Harry Geuns bandonions on the Jax RCFB Button Accordion Page.

Geuns proposed Hayden/Wicki Bandonion layout
Click on either image to see larger.
Geuns proposed Hayden/Wicki Bandonion layout, left side Geuns proposed Hayden/Wicki Bandonion layout, right side
Geuns proposed Hayden layout left
Geuns proposed Hayden layout right
Why it called "Hayden/Wicki"?
Harry Geuns writes:

 The "Hayden" lay out principle is originally patented in Switzerland in 1896 by Kaspar Wicki , as System Kaspar Wicki  which again is based on the "Janko" principle. Here is a chart:

Wicki layout right
Click on the image to see larger.
Wicki layout right
Wicky layout right

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