Awaji is only lightly linked to the modern world. |
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Awaji Links |
Awaji Life
TOKYO |
Gojira forever battles the concrete foes of Japan under the Shinto torii gates. Part of a larger vignette camped in front of a lonely concrete store up in the mountains outside of Sumoto. |
Awaji links online |
Awaji does not have a large presence online. Out in real life, though, Awaji is justly famed for sweet onions, beef, the Awaji puppet theater, and country life. It is a safe place for traditions to linger and artisans to live apart from the hussle and bustle of mainland Japan. In other words, there is no Starbucks, internet café, or glorious Takashimiya department store. |
Awaji in Japanese Literature. |
This Wine of Peace, This Wine of Laughter
291 A.D. E-hime, the beloved concubine of Emperor Ojin, was granted leave to return to visit her parents in the land of Kibi. The Emperor made this song upon her departure, while standing on a hight tower and watching her boat depart from Naniwa (modern Osaka).
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Kinkafu contains three accounts of this son’s origins, none of which fit well.
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Genji Monogatari (Tale of Genji) by Murasaki Shikibu in the early eleventh century, during the Heian Period, has one reference, in the Akashi chapter. The court prince and ever-shining-star Genji is exhiled from the Miyako courts of Kyoto. He is banished to an island off the Osaka coast, near Sumiyoshi. In our modern day, this is all part of the Kyoto-Osaka megablobalopolis. In our day, Genji would be a rock star of in a family musical dynasty, or a movie icon with extremely high credentials whose lovelife irredeemably tarnishes his reputation. In his day, going beyond the confines of the court in Kyoto was today's equivalent of banishment to Siberia, or Podunck. After a few months and yet another heartfelt affair with the local beauty, he is at last allowed to return. He does, posthaste, abandoning his now knocked-up local love. As a small boat rows him back to civilization and the shores of Sumiyoshi, he espies the large island of Awaji. Several translations give this rendition of his as-always moody thoughts: On a quiet moonlit night when the sea stretched off into the distance under a coudless sky, he almost felt that he was looking at the familiar waters of his own garden. Overcome with longing, he was like a solitary, nameless wanderer. "Awaji, distant foan,"* he whispered to himself. "Awaji: in your name is all my sadness,
The moon seemed ah so distant at Awaji.
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Japanalia (1959).
Awaji-ningyo.
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The book most concerned with Awaji that I know of is Dr. Jane Marie Law's book, "Puppets of Nostalgia: The Life, Death, and Rebirth of the Japanese Awaji Ningyo Tradition, 1997, Princeton UP. It is quite an experience to re-read her book and be on the island itself. |
It's News In Japan | |
Akira Ifukube. "Composer Akira Ifukube, most famous for his work on the movie, "Godzilla," died of multiple organ failure Wednesday night at a Tokyo hospital, his family said. He was 91. Ifukube was born in Kushiro, Hokkaido. A graduate of Hokkaido University, Ifukube was a self-taught composer who began scoring movie soundtracks in the 1950s. Noted early works include "Gembaku no Ko" (Children of Hiroshima) in 1952 and "Godzilla" in 1954. His theme for "Godzilla," which successfully captured the air of menace that surrounded the monster, has considerable influence on overseas movies." Daily Yomiuri, February 19, 2006. For more about Gozira-san's moving memorial, see the gojira update. |